Recently, two of my very different practices overlapped harshly in the near same time-space.

Speaking about mental health in post colonial polyphonic multiple spaces of consciousness and the emotional labour involved when alter(ed)-identity is rehearsed daily with all public signifiers indexing the erasure of these same selves.

Writing and performing original text with creative musiciens based on the poignant rΓ©flections of issues of transcende, and transition, and transit through bodies and countries and langages as they arise in the novels of James Baldwin.

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